I am aware that my blog just recently has drifted well away from my initial idea of describing my needlework efforts, both those I'm doing currently and those I've done in the past.
Well ...... here I am waiting for a washing machine repair man to turn up, so I thought I'd do something about this :)
The last time I mentioned my needlework efforts when I was younger, it was to mention the large free-style flower picture embroidery that I did not actually finish!
However, the horse picture above was one I think I started when I was about 16 years old. I can't really remember. It's about 14.5 inches square in size. I'm pretty sure I bought this one for myself and it will have been the image that attracted me as I was horse mad when a girl. I did about half of it and then got fed up with it. I then started it again in 1981 and finished it in December 1981. The only reason I can give an accurate date is because I wrote this date on the back! In those days, I didn't use a frame and it needed quite a lot of stretching. However, this was the picture that got me 'hooked' on Penelope tapestry kits.
The one above I completed in March 1982 (again, thankfully I wrote the date on the back!) and it was 'Spring', one of a series of four, one for each season.
This one was the 'Winter' in the same Penelope series. I finished this one in April 1983, the month and year we got married! Again, I wrote the date on the back ..... plus my single name of Elaine Lawrence so at least I know it was before the 23rd April 1983! I didn't do Summer or Autumn as I didn't like them as much. Both of these are about 12 inches square.
All three are stitched with tent stitch and, at that time, I don't recall that you could even get kits that used the many other needlepoint stitches available to stitchers. Many think that doing vast areas of tent stitch is boring. However, I find such stitching to be very meditative. Also, there is something magical seeing the colours 'pop' out of the canvas from the subdued image on the painted canvas as you complete the stitching with the wool. It really can be a 'just one more stitch' every time you stitch one of these canvases.
All three of these were framed using non-reflective glass but I must admit to having problems taking photos of them. They all look a bit 'washed out' with a little bit of glare on the glass, even though I've tried to adjust the contrast and colour saturation. The two seasons pictures I actually put down on the floor to try and improve things but that has only been partially successful.
It probably needs more experimentation on my part ....... unless someone else knows some magic tricks?
Showing posts with label photographing needlework. Show all posts
Showing posts with label photographing needlework. Show all posts
Tuesday, 29 March 2011
Friday, 25 June 2010
Photographing Needlework
Although it is my husband, John, who is the photographer in the family, I thought I'd have a go at photographing some of my needlework pictures yesterday.
In particular, I tried to photograph the picture I am most proud of. This is a very large gobelin stitch needlepoint picture which I think was called 'Midnight in Winter'. It is a kit I got from the Gobelin Company based in Germany. They don't supply this particular picture any more so unfortunately I can't check the name and I didn't keep the counted chart pattern ...... well, I'm not going to do it again, that's for sure!
I fell in love with the picture the minute I saw it in the catalogue but it is a biggie! It's 72 cm deep and 43cm wide and on quite fine count fabric, requiring 9 stitches per cm. Mind you, with these particular kits, one gobelin stitch is actually two physical stitches, so really it's 18 stitches to the cm. It is completely done in different shades of blue from the very darkest blue-black to off-white and white itself, and it shows some sheep in a field, with the silhouette of a tree to one side, all illuminated by a full moon.
However, photographing it proved to be difficult! Although it is framed behind non-reflective glass, I could still see reflections of the windows behind me. I tried everything! Standing to one side improves things but it is more difficult than I thought!
I'd also like to try to photograph stitches up close ........ but I can see this will also be a challenge!
I will have to search on the Internet for advice!
In particular, I tried to photograph the picture I am most proud of. This is a very large gobelin stitch needlepoint picture which I think was called 'Midnight in Winter'. It is a kit I got from the Gobelin Company based in Germany. They don't supply this particular picture any more so unfortunately I can't check the name and I didn't keep the counted chart pattern ...... well, I'm not going to do it again, that's for sure!
I fell in love with the picture the minute I saw it in the catalogue but it is a biggie! It's 72 cm deep and 43cm wide and on quite fine count fabric, requiring 9 stitches per cm. Mind you, with these particular kits, one gobelin stitch is actually two physical stitches, so really it's 18 stitches to the cm. It is completely done in different shades of blue from the very darkest blue-black to off-white and white itself, and it shows some sheep in a field, with the silhouette of a tree to one side, all illuminated by a full moon.
However, photographing it proved to be difficult! Although it is framed behind non-reflective glass, I could still see reflections of the windows behind me. I tried everything! Standing to one side improves things but it is more difficult than I thought!
I'd also like to try to photograph stitches up close ........ but I can see this will also be a challenge!
I will have to search on the Internet for advice!
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